draws together sound, light, live performers, still images and video footage in a curated, choreographed event. Contributions form the artists involved are organised around a large cube constructed to absorb the elements and provide a space for the individual disciplines to sit and jostle beside each other. The four sides, made from latex rubber screens, oscillate between solidity and liquidity of surface, transparency and luminosity, structure and image. The shift between surface, image and body, points to aspects of visibility and perspectives. 

 

Marina Collard and composer Paul Newland navigate this structure alongside lighting designer Michael Mannion, filmmakers Tom Paine and Tony Wadham, photographer Rachel Cherry and performers Tina Krasevec and Rahel Vonmoss. 

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